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SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022
SILENT SKY, Fever Dream Repertory at Skinner Theatre...
Stage Magazine
  • Press Releases
    • Press Releases

      STAGE Magazine Stands With the People of Ukraine

      Press Releases

      SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022

      Press Releases

      SILENT SKY, Fever Dream Repertory at Skinner Theatre…

      Press Releases

      LIGHT OPERA OF NEW JERSEY ANNOUNCES RESCHEDULED MARCH…

      Press Releases

      Maurer Productions OnStage brings Ed Dixon’s comedy “Scenery”…

  • Callboard
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      RUMORS, The Dramateurs, Inc. at the Barn Playhouse,…

      Callboard

      RUMORS, The Dramateurs, Inc. at the Barn Playhouse,…

      Callboard

      IN THE HEIGHTS, South Orange Performing Arts Center,…

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      SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022

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      SILENT SKY, Fever Dream Repertory at Skinner Theatre…

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Author

Patrick Maley

Patrick Maley
Patrick Maley

Patrick Maley is an Assistant Professor of English at Centenary College in Hackettstown NJ, where he teaches courses in Shakespeare, Drama, the Bible, and Classics. He holds a PhD in English and MAs in English and Classical Studies from Indiana University, Bloomington. He researches and writes widely on drama, theater, and critical theory, with a particular interest in modern and contemporary American and Irish drama, as well as tragedy of all ages. His scholarship appears in academic journals such as Modern Drama, New Hibernia Review, and The Eugene O'Neill Review. Patrick can be reached at patrickjmaley@gmail.com, and followed on Twitter: @PatrickJMaley.

  • Reviews

    NO PLACE TO GO: Two River’s Charming Night of Jazz Cabaret

    by Patrick Maley October 18, 2012
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  • Reviews

    Laughs and Little Else from McCarter’s VANYA AND SONIA AND MASHA AND SPIKE

    by Patrick Maley September 16, 2012
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  • Reviews

    Anger and Introspection: Athol Fugard’s THE TRAIN DRIVER at Signature Theatre Company

    by Patrick Maley September 10, 2012
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  • Reviews

    RICHARD III For the Masses: The Public Theater’s Mobile Shakespeare Unit

    by Patrick Maley August 11, 2012
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  • Reviews

    Unconventional Beauty in Playwrights Horizon’s THE FLICK

    by Patrick Maley March 10, 2013
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  • Reviews

    A Curiously Stolid HENRY IV at the Pearl Theatre

    by Patrick Maley March 7, 2013
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  • Reviews

    DONNYBROOK!: Escapists Fantasy Romance at the Irish Rep

    by Patrick Maley February 23, 2013
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  • Reviews

    Four Actors, A Tiny Space, and a Masterful Classic: Bedlam’s HAMLET

    by Patrick Maley February 18, 2013
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  • Reviews

    August Wilson’s Blues Return to Red Bank: TWO TRAINS RUNNING at Two River

    by Patrick Maley February 16, 2013
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  • Reviews

    Important, Timely, and Hilarious: GOOD PEOPLE at George Street

    by Patrick Maley February 2, 2013
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  • Reviews

    A DELICATE BALANCE Makes for A Slow Evening at The McCarter

    by Patrick Maley February 2, 2013
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  • Reviews

    WATER BY THE SPOONFUL: 2012 Pulitzer Winner Gets its NYC Debut

    by Patrick Maley January 15, 2013
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  • Reviews

    Powerful Production and Fearless Performances in THE BEST OF ENEMIES at George Street

    by Patrick Maley December 5, 2012
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  • Intermission

    THE CIRCUS IN WINTER: A New Musical on a Unique Journey

    by Patrick Maley December 1, 2012
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  • Reviews

    August Wilson’s THE PIANO LESSON Sings at The Signature Theatre

    by Patrick Maley November 18, 2012
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  • Reviews

    A Gritty HENRY V at Two River Theater Company

    by Patrick Maley November 4, 2012
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  • Reviews

    A Showpiece MAN OF LA MANCHA at The Shakespeare Theatre of New Jersey

    by Patrick Maley October 29, 2012
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  • Reviews

    Booze, Bullfights, and Beauty: THE SELECT Dazzles at The McCarter

    by Patrick Maley October 29, 2012
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  • Reviews

    THE FREEDOM OF THE CITY: Excellence at The Irish Rep

    by Patrick Maley October 13, 2012
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  • Reviews

    Lewis Black’s ONE SLIGHT HITCH at George Street: Time-Machine Drama Without a Twist

    by Patrick Maley October 12, 2012
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Founded by Holley Webster in 1976, STAGE Magazine began as a well-loved, paper-based newsletter that was often found in the lobbies of Philadelphia area theatres and the hands of audition-hungry actors.


Ms. Webster passed STAGE along to former Managing Editor, Ethel Guy, who kept the paper version of the magazine going strong. In 2009, Ethel graciously handed over the reins to current Digital Content Manager, Patricia Bradford, who successfully brought the publication online and eventually phased out the paper format to better conform to today's fast-paced Digital Age.


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