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SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022
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Stage Magazine
  • Press Releases
    • Press Releases

      STAGE Magazine Stands With the People of Ukraine

      Press Releases

      SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022

      Press Releases

      SILENT SKY, Fever Dream Repertory at Skinner Theatre…

      Press Releases

      LIGHT OPERA OF NEW JERSEY ANNOUNCES RESCHEDULED MARCH…

      Press Releases

      Maurer Productions OnStage brings Ed Dixon’s comedy “Scenery”…

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      RUMORS, The Dramateurs, Inc. at the Barn Playhouse,…

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      RUMORS, The Dramateurs, Inc. at the Barn Playhouse,…

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      IN THE HEIGHTS, South Orange Performing Arts Center,…

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      SAVANNAH SIPPING SOCIETY, DCP Theatre, 03/24/2022-04/03/2022

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      SILENT SKY, Fever Dream Repertory at Skinner Theatre…

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Author

Rosanne DellAversano

Rosanne DellAversano
Rosanne DellAversano

Rosanne DellAversano is Co-Founder, Executive & Artistic Director for Bootless Stageworks and has over 35 years’ experience in theater, opera, vocal and dance. Select directorial assignments include: Stage Director for JERRY SPRINGER: THE OPERA, PRELUDE TO A KISS, NEXT TO NORMAL, LOVE SEX AND THE IRS, OPRAH MADE ME DO IT, KISS ME, KATE, IL TROVATORE, DIE ZAUBERFLÖTE, COSI FAN TUTTI, DIE FLADERMAUS and Asst. Director for DIE ZAUBERFLÖTE, LE NOZZE DI FIGARO, IL PAGLIACCI, CAVALLERIA RUSTICANA (all with Helen Hayes Award-Winning Director Joe Banno), LITTLE WOMEN, MADAME BUTTERFLY, DON GIOVANNI, THE PICTURE OF DORIAN GRAY, IL POSTINO, SLAYING THE DRAGON. As a classically trained soprano, select roles include: Queen of the Night (DIE ZAUBERFLÖTE), Julia Child (BON APPETIT!), Lilli Vanessi & Hattie (KISS ME, KATE), Abby (MUSICAL OF MUSICALS, THE MUSICAL), Rona Lisa Peretti (THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE). Concert appearances include performances with New York Youth Symphony (at Carnegie Hall), The Philadelphia Orchestra, Delaware Symphony Orchestra, Princeton Symphony, The Mendelssohn Club of Philadelphia, CoroAllegro, OperaDelaware and Center City Opera Theatre as well as providing back-up vocals for Andy Williams, Jack Jones and Linda Eder. Rosanne studied dance (ballet, tap & jazz) at the studios of Helen Achenbach & Elaine Stein when she was much (much) younger. Her fully choreographed Overture to DIE ZAUBERFLÖTE for OperaDelaware was collaboratively inspired by Mozart, Agnes de Mille and Marcel Marceau. Her love of dance continues today and emerges often in store aisles. During weekday business hours, Rosanne performs the role of Office Manager/Paralegal for a regional law firm.

  • Reviews

    JAMES JOYCE’S THE DEAD at City Theater Company

    by Rosanne DellAversano December 13, 2014
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    Mirror, Mirror on the Wall, SNOW WHITE is Ardensingers’ Fairytale Told This Fall

    by Rosanne DellAversano November 19, 2014
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    A CHRISTMAS CAROL: Holiday Favorite at Candlelight Theatre

    by Rosanne DellAversano November 19, 2014
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    THE LIFE AND DEATH OF RICHARD THE SECOND at Arden Shakespeare Gild

    by Rosanne DellAversano June 28, 2014
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    THE DIXIE SWIM CLUB: Cute, Funny and Touching Comedy at Barnstormers Theater

    by Rosanne DellAversano June 20, 2014
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    AGNES OF GOD: Religious Debate Still Intriguing Today

    by Rosanne DellAversano May 1, 2014
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    Revenge, Intrigue and Danger Await at Chapel Street Players: LES LIAISONS DANGEREUSES

    by Rosanne DellAversano March 7, 2014
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  • Reviews

    Ensemble Work Marks STEEL MAGNOLIAS at Everett Theatre

    by Rosanne DellAversano January 28, 2014
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    Wilmington Drama League’s 13, THE MUSICAL: Geared for the Younger Set

    by Rosanne DellAversano January 28, 2014
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  • Reviews

    Musical MIRACLE ON 34TH STREET at The Wilmington Drama League

    by Rosanne DellAversano December 24, 2013
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    When Fiendish Fairy Weaves Her Spell: Ardensingers’ THE SLEEPING BEAUTY OF SAVOY

    by Rosanne DellAversano November 22, 2013
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    BLITHE SPIRIT at Chapel Street Players: Such Harmonious Madness!

    by Rosanne DellAversano November 11, 2013
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Founded by Holley Webster in 1976, STAGE Magazine began as a well-loved, paper-based newsletter that was often found in the lobbies of Philadelphia area theatres and the hands of audition-hungry actors.


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