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MORNING’S AT SEVEN, OLD ACADEMY PLAYERS, 02/18/2017

Show: MORNING’S AT SEVEN
Theater: OLD ACADEMY PLAYERS
Theater Website: https://oldacademyplayers.org/
Theater Phone: (215) 843-1109

Start date of auditions: 02/18/2017


CHANGE IN AUDITION DATE!
AUDITIONS WILL BE HELD ON SATURDAY, FEBRUARY 18 AT 11:00AM – NOT MARCH 4TH
Auditions for MORNING’S AT SEVEN by Paul Osborn, will be held at the Old Academy Players! #MorningsatSeven

On Saturday, FEBRUARY 18, 2017 at 11:00 am, auditions for MORNING’S AT SEVEN by Paul Osborn, will be held at the Old Academy Players [3544 Indian Queen Lane, Philadelphia, PA 19129; www.oldacademyplayers.org]. Director Loretta Lucy Miller [lorettalucy@yahoo.com] seeks 5 women and 4 men for this June 2017 production.

Performance dates are: June 9, 10, 16, 17, 18, 23, 24 & 25, 2017. Friday and Saturday evening performances are at 8 pm; Sunday matinées are at 2 pm. Please contact Director Loretta Lucy Miller [lorettalucy@yahoo.com] if you have questions.

The audition will be monologues from the script. Monologues will be provided at the time of audition.

Old Academy Players welcomes new talent! Old Academy Players is a volunteer organization and all roles are unpaid. Please download and complete the Audition Form https://oldacademyplayers.org/wp-content/uploads/2016/08/OAP-Forms-for-web_Audition-Form.pdf in advance.

Character Descriptions & Setting are as follows:
Time: 1938
Scene: Two back porches and two houses in a middle-western town
3 Men = 65+, 4 Women = 65+, 1 Man = 35+, 1 Woman = 35+

Theodore (Thor) Swanson: The gruff-spoken but tender-hearted husband of Cora, Thor is frequently caught in the middle in conflicts between his wife, Cora, and her sister, Arry, who has shared their home since she was a teenager. Thor is the most rational of all the males in the play and is fond of Arry and opposes the idea of sending her to live elsewhere.

Cora Swanson: Wife of Thor and sister of Arry, Ida and Esther, Cora is resentful of never having had a life alone with her husband, and she desperately wants to get away from her live-in sister, Arry. It is Cora who “holds things together,” but close living with her unmarried sister for upwards of four decades has created some long-standing tensions (and secrets) in the household.

Aaronetta (Arry) Gibbs: The old maid sister of Cora, Ida and Esther, Arry has lived with Cora and Thor for the whole of her adult life. She is both the family gossip and snoop and vies with Cora for Thor’s attention. She is a bit more artistic than her sisters and has a tendency to be high strung and “wound up” most of the time.

Ida Bolton: Wife of Carl and mother of Homer, Ida and family live next door to Cora, Thor and Arry. She tries to understand her husband’s “spells” and holds her family together. While she wants her son, Homer, to marry and avoid being a “lonely old bachelor,” she dotes on him and makes it difficult for him to leave.

Carl Bolton: Husband of Ida and father of Homer, Carl is frequently caught up in his “spells” which result from his overwhelming sense of failure at not becoming a dentist. He is more a source of concern and worry than a source of strength. He is, however, a skilled craftsman and has built a house “on the hill” for his son to move into when he marries. Unfortunately, the house sits empty (as it has for a half-decade), awaiting the big day when the younger Bolton will finally take a wife.

Homer Bolton: Carl and Ida’s forty-year-old son, Homer has been living at home and dating Myrtle Brown for eleven years and has been unable, or unwilling, to make a commitment. In fact, he has never before brought her home to meet his family. Rather thick and clumsy, he is quite comfortable with his life as it is and sees no reason to change things.

Myrtle Brown: The long-suffering fiancée of Homer Bolton, Myrtle is affectionate and seemingly willing to wait for Homer to marry her, although it is apparent that she hopes her long awaited visit to his family will finally lead to something more than his weekend visits. She is pleasant, polite, and awkwardly beautiful, if a bit gawky. Her arrival and introduction to the family is bound to create a stir in this quiet and unassuming neighborhood.

Esther (Esty) Crampton: The eldest of the four sisters and wife of David. Esty, like many women of her generation, has spent her married life in submission to a domineering and emotionally abusive husband. She has a mind of her own, however, and usually manages to do the things she wants to without causing conflict. She is frequently a calming influence when conflicts occur among her sisters. She and her husband live (intentionally) a couple of blocks away from the other sisters. Esty has an innate understanding of human and family interaction.

David Crampton: The domineering, frequently insensitive husband of Esther, David is what might be called an “educated” misfit, since his education has led to little more than an inflated ego and a misguided sense of superiority. A former professor at the local college, David refuses to associate with the others in the play and would prefer that Esther do the same. He considers his wife’s family, and almost everyone else, to be morons and is not reluctant to tell them so. However, under certain circumstances, he is capable of compassion and even affection.

Old Academy Players, a member of the Greater Philadelphia Cultural Alliance, is a 501(c)(3) non-profit community theater in East Falls ( Philadelphia ), the urban village on the Schuylkill River. Constructed in 1819, the Old Academy building has been the OAP home since 1932. Old Academy Players, providing continuous community theater since 1923, featured the acting debuts of both Grace Kelly and Robert Prosky.

Find Old Academy Players on Facebook! https://www.facebook.com/OldAcademyPlayers

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Patricia Bradford

Patricia Bradford

Patricia Bradford holds a Bachelor of Music Degree in Vocal Performance from the New England Conservatory of Music in Boston, Massachusetts. She has performed, directed and produced theatre throughout Pennsylvania, New Jersey and Delaware. Ms. Bradford is founder and Managing Artistic Director of Bare Stage Theatre. Leading STAGE Magazine has become a consuming passion - one which combines her many artistic skills, theatrical contacts and administrative abilities. She is thrilled to be carrying on the vision that was begun by Holley Webster over 30 years ago, and leading STAGE to new levels of success.

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