l to r) Jason Kappus, Brad Weinstock, Colby Foytik and Brandon Andrus star in JERSEY BOYS, part of the Kimmel Center Broadway series, running at the Forrest Theatre through December (Photo credit: Joan Marcus)

l to r) Jason Kappus, Brad Weinstock, Colby Foytik and Brandon Andrus star in JERSEY BOYS, part of the Kimmel Center Broadway series, running at the Forrest Theatre through December (Photo credit: Joan Marcus)

Virtuoso JERSEY BOYS Are Back!

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l to r) Jason Kappus, Brad Weinstock, Colby Foytik and Brandon Andrus star in JERSEY BOYS, part of the Kimmel Center Broadway series, running at the Forrest Theatre through January 15, 2012. (Photo credit: Joan Marcus)

My wife, Amy, and I attended the official press opening and the launch of JERSEY BOYS’ second National Tour at the Forrest Theatre in Philadelphia. The production was a magnificent breathtaking adrenalin rush, an ecstatic experience I will not soon forget.

Last year’s engagement at the Forrest Theatre broke box office records, and this one is bound to break its own records if that’s possible.

If you didn’t know JERSEY BOYS won the 2006 Best Musical Tony Award, the 2006 Grammy Award for Best Musical Show Album, the 2009 Oliver Award for Best New Musical and the 2010 Helpmann Award for Best Musical (Australia), you might think this is just another biopic…er, musical storybook about Frankie Valli and The Four Seasons. It is and it isn’t. It is not just a tribute to their talent, their journey. There’s more.

This production was great musical theatre. The Broadway JERSEY BOYS actually won four Tony Awards, including Best Musical. Two-time Tony-Award-Winning director, Des McAnuff, made it so much more than what the basic story would suggest with his creative staging, crisp movement, and the images and sounds to take us back to the beginning, the early days, the disco days, etc.

The music takes the audience back to their childhood, if they are as old as I am and even if they are not, to a time when there always seemed to be a Frankie Valli/Bob Gaudio song playing on the radio. I knew every song and loved every minute of hearing them performed by actors flawless in their musical re-creations.

It wasn’t just the electrifying music that made the theatrical experience so great; the ever-changing backdrop, an amazing set with mics and set pieces that roll smoothly and seamlessly on stage, and the concert-like lighting and sound used to the fullest effect. It was also the brilliant book by Marshall Brickman and Rick Elice that gives each of the major players a chance to tell the story from their perspective. Director Des McAnuff has the actors moving from action to song in a smooth character heartbeat, while set pieces and scene changes are made seamlessly behind them or beside them. Choreographer Sergio Trujillo stylizes each musical number with movement and dance appropriate to the song and the period.

JERSEY BOYS was a phenomenal production, stirring excitement and anticipation in the audience at every turn. I sat on the edge of my seat through most of the show. Each song warranted enthusiastic applause and aroused the audience more and more until beginning with The Four Seasons‘ signature song, “Sherry,” the crowd was so pumped they could barely contain themselves. They were like starstruck teenagers at a concert–only this time they had to wait until the end for the standing ovation.

Sure, it is a story we’ve heard before: our heroes, aching for success, are able to have it, but it comes with a price. With that magical moment of success comes hard and frustrating times; life happens and we are still fascinated by it all. And, JERSEY BOYS is more creative in its production, more exciting in its music, and more uplifting in its result than most.

Creating original songs and a new sound made Frankie Valli and The Four Seasons great, with a well-deserved induction into the Rock and Roll Hall of Fame. As an audience, we are a part of their adventure as we see and hear those songs again applied to the story in a way that gives their fame and success all the more meaning.

JERSEY BOYS
Book by Marshall Brickman and Rick Elice
Music by Bob Gaudio
Lyrics by Bob Crewe
The Forrest Theatre
1114 Walnut Street
(between 11th and 12th Streets)
Philadelphia, PA 19107

December 6 – January 15, 2011
Check the theatre web site for ticket information
http://www.forrest-theatre.com/

Jack Shaw

Jack Shaw

He has directed such plays as HARVEY, LOVERS AND OTHER STRANGERS, ROMANTIC COMEDY, BLITHE SPIRIT, CAT ON A HOT TIN ROOF, and CREATION OF THE WORLD AND OTHER BUSINESS. His professional musical theater experience includes such roles as Nathan in GUYS AND DOLLS, Perchik in FIDDLER ON THE ROOF, Mordred in CAMELOT, and Ice in WEST SIDE STORY. He has performed summer stock and acted in various Regional theaters throughout the country. He admits to doing some background work in film, but his broadcasting jobs were meatier. His broadcasting experience includes being on-air radio personality, news director and talk show host. He was also a TV news and public affairs director, and staff commercial announcer. Today he is the founder of Acting and Training Smarts where he offers private coaching and training for public speakers and presenters as well as actors. You may not find him on stage as much, but you may see him in several University classrooms sharing his broad knowledge and experience. Don’t be surprised to see him host a Talk Back or present a talk about Acting, Directing or Reviewing. While he may cut back onstage performing, he expresses his love of the art and passion for human communication in everything he does. In addition to writing reviews for STAGE Magazine and posts for Acting Smarts, he serves as the Blog Host and writes on Training and Development, and Communication topics for the Free Management Library. He sees theatre in everything–even writing. His soon-to-be-published science fiction novel, In Makr’s Shadow, is about what happens when people stop talking face-to-face and the devices take over. Jack received BA (cum laude) degrees in both Psychology and English from Missouri Western State University, a dual MA degree in Speech and Dramatic Art, and English, focusing on Performance Criticism, from the University of Missouri in Columbia. He also holds an MA in Social Psychology from the University of Missouri in Kansas City. Contact Jack at jshaw2040@yahoo.com.

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